| Bells Are Ringing | | Posted Tuesday, September 12, 2006 11:52:24 AM by BlogJeeves Team | | Judy Holliday's final film, Bells Are Ringing, is, fittingly enough, a tailor-made vehicle for her brassy talent. She'd won a Tony for the Broadway version of the show, playing an overly sympathetic telephone receptionist who gets involved in her customers' lives. Betty Comden and Adolph Green adapted their stage musical, amusingly framing the film as a TV commercial for "Susanswerphone," the answering service Judy works for. Director Vincente Minnelli, in one of his less inspired outings, seems content to showcase Holliday's crack comic timing, which appears to have been transferred almost intact from the stage. Despite the somewhat muted tone, there are delightful bits: a typical Comden & Green showbiz party (with a number about name-dropping), Frank Gorshin's send-up of a Brando-inflected actor, and Dean Martin crooning while shouldering his way through a Manhattan crowd. "The Party's Over," that unforgettable end-of-the-evening lament, and "Just in Time" are the Jule Styne standards from the score. --Robert Horton... | |
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| | | Finian's Rainbow | | Posted Monday, September 11, 2006 3:52:29 PM by BlogJeeves Team | | A funny thing happened to Finian's Rainbow in between its debut as a Broadway musical in 1947 and its appearance as a film in 1968. After 21 years, its theme of racial tension in the American South was no longer cutting edge, and the fact that its heroes are a group of sharecroppers called the Rainbow Valley Tobacco Cooperative dates it even further. Add a number of subplots and the heavy hand of a 29-year-old Francis Ford Coppola directing his first and only musical, and the two-and-a-half-hour running time feels bloated. Hermes Pan (best known for the classic Astaire-Rogers movies) is credited with choreographing the overbusy musical numbers, but he was reportedly overruled by Coppola at every turn. Still, there is a lot to enjoy in this movie, most notably Fred Astaire in his last lead role in a musical. Fred plays Finian McLonergan, an Irishman who has traveled to America in hopes of planting a pilfered pot of gold near Fort Knox and watching it grow. Even at 69, Fred shows he is still capable of a sprightly step and warbling "Look to the Rainbow." Another plus is the casting of '60s pop icon Petula Clark as his daughter, as she sings with an unaffected loveliness. Finally, the score by Burton Lane and E.Y. Harburg includes two of the best Broadway songs ever written--"Old Devil Moon" and "How Are Things in Glocca Morra?"--as well as the comic ditty "When I'm Not Near the Girl I Love." --David Horiuchi... | |
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| | | The Band Wagon (Two-Disc Special Edition) with Slipcover | | Posted Sunday, September 10, 2006 7:52:29 PM by BlogJeeves Team | | The Band Wagon (1953) marked the culmination of a series of near-autobiographical pictures Fred Astaire made for MGM following his return from premature retirement in the late '40s. Astaire plays Tony Hunter, a fading film star (his big hit: Flying Down to Panama) who decides to return to his former glory, the Broadway stage. (In 1931, Astaire had starred on Broadway with sister Adele in The Band Wagon, a revue that lent some of its songs to this film.) His playwright-songwriter friends (Nanette Fabray and Oscar Levant) hook him up with Broadway's hottest director, Jeffrey Cordova (a nicely hammy Jack Buchanan), who proves that the "new" theater traditions can be an awkward fit with the old. Hunter also finds himself at odds with his prima ballerina leading lady (Cyd Charisse), one of his chief worries being that she seems a little tall. Along the way, producer Arthur Freed, director Vincente Minnelli, choreographer Michael Kidd, and songwriters Howard Dietz and Arthur Schwartz treat us to some quintessential MGM numbers: Astaire's solo ode "By Myself," the flashy arcade romp "A Shine on Your Shoes," Astaire and Charisse's romantic duet "Dancing in the Dark," the faux-German drinking song "I Love Louisa," the manic trio "Triplets" (with Astaire, Fabray, and Buchanan in matching baby outfits), the Mickey Spillane-esque "Girl Hunt Ballet," and the classic show-biz anthem "That's Entertainment." Even if its ending and obligatory romance fall a little flat, The Band Wagon is one of the classic backstage musicals, a grandiose MGM spectacle that also manages to poke some fun at how grandiose MGM pictures had become. --David Horiuchi... | |
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| | | West Side Story (Full Screen Edition) | | Posted Saturday, September 09, 2006 11:53:30 PM by BlogJeeves Team | | The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh ... | |
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| | | Love on Layaway | | Posted Saturday, September 09, 2006 3:57:15 AM by BlogJeeves Team | | David E. Talbert's Love On Layaway is a wildly inventive, laugh-out-loud journey inside the lives of three couples living in a Philadelphia neighborhood. First, there's Ms. Willanetta (Cassi Davis), who after a life-changing religious experience, no longer wants to have relations with her suitor of twelve years, Renzo (Buddy Lewis). Next, there's Epiphany (Joi Campbell), a single mother who has yet to decide who will be the man in her life, her new boyfriend Reggie (Chico Bennymon) or her six-year-old son, Man Man. Finally, there's Monique Graham (Deborah Cox), who feels as if her relationship with live-in boyfriend Anthony (Mel Jackson) is on layaway and he's making the absolute lowest monthly payments.... | |
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| | | Pal Joey | | Posted Friday, September 08, 2006 7:52:12 AM by BlogJeeves Team | | First born in the pages of The New Yorker, then translated into a hit Rodgers and Hart Broadway musical, the title character of Pal Joey had undergone quite a transformation by the time he hit the movies in 1957. He was a singer, rather than a dancer, but more importantly he'd had his rough edges sweetly softened; the callous heel dreamed up by novelist John O'Hara was more of a naughty scamp in the film version. However, Pal Joey remains delightfully watchable for two very good reasons: a terrific song score and a surplus of glittering star power. Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol). The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late '50s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time It Was" and "I Could Write a Book," and his performance of "The Lady Is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best, and included in the DVD is a trailer in which Sinatra instructs the audience in "Joey's Jargon," a collection of hip slang words such as "gasser" and "mouse." If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove. --Robert Horton ... | |
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| | | Presenting Lily Mars (Std Sub) | | Posted Thursday, September 07, 2006 7:53:21 AM by BlogJeeves Team | | Judy Garland is at the peak of her charm and appeal as the title character of Presenting Lily Mars. The 19-year-old aspiring actress has great hopes for the future but can't seem to catch a break even when a Broadway producer (Van Heflin) returns to her small Indiana town for a family visit. Undeterred, she follows him to New York and earns a small part and a romance is sparked, but when the leading role unexpectedly opens up, will the talented youngster be ready? Presenting Lily Mars was released in 1943, the same year Garland would do her last collaboration with Mickey Rooney (Girl Crazy) and between her first significant adult roles, For Me and My Gal (1942) and Meet Me in St. Louis (1944). What the movie doesn't have is a lot of great music. Many of the songs are performed by other people, and while the few numbers Garland sings are gold, the songs themselves can't match the Gershwin and Arlen standards in many of her other films. The most notable is Brown & Freed's "Broadway Rhythm," which everyone should recognize from Singin' in the Rain--it's a rousing closer by Garland backed by Tommy Dorsey and His Orchestra. With Marta Eggerth as Garland's operatic rival, and future jazz singer Annie Ross as Garland's singing and piano-playing younger sister. --David Horiuchi... | |
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| | | Darling Lili | | Posted Monday, September 04, 2006 1:59:01 PM by BlogJeeves Team | | A welcome new DVD life might be in store for Darling Lili, an underrated film whose reputation is mostly locked as one of the big, expensive flops that helped reshape Hollywood at the turn of the seventies. Julie Andrews was still at the height of her popularity when she began shooting this musical-comedy-drama with new husband Blake Edwards directing; budget overruns, studio interference, and the changing box-office climate all doomed the movie's disastrous 1970 release. Even fans of the picture would have to admit that the weird storyline had something to do with it, too. Andrews plays a World War I singer in London and Paris who's actually a spy for the Germans (part of her cover is singing popular patriotic songs, such as "Pack Up Your Troubles" and "It's a Long Way to Tipperary"). Her new assignment is to get information from a famous pilot (Rock Hudson), but naturally she falls in love with him along the way. The movie's WWI aerial sequences (shot in Ireland) are a little like the film's approach: soaring, graceful, and disconnected from any carnage that might be happening in the trenches. However, if you can appreciate Edwards' slapstick prowess and commitment to the screwball-romance style of filmmaking, there's much to admire. For one thing, Edwards photographs Julie Andrews with the loving devotion of a new husband. For another, his feeling for the widescreen frame as a big playground for lush color and busy action is well-served by the DVD release--this is a visually gorgeous movie. The new songs by Henry Mancini and Johnny Mercer include the superb opening number--evocatively shot--called "Whistling in the Dark." The DVD is billed as a "Director's Cut," but is shorter than the original release, a result of Edwards himself reportedly retooling the picture after 1970 (the disc has a whopping hour's worth of additional scenes). Whichever way it's sliced, Darling Lili was always going to be a strangely mixed movie, with Pink Panther-style bits sitting next to Mata Hari skullduggery. Fans of Julie Andrews and the vanished elegance of visual storytelling will find much to savor nevertheless. --Robert Horton... | |
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| | | The Little Prince | | Posted Sunday, September 03, 2006 5:53:19 PM by BlogJeeves Team | | A pilot crash-lands in the Sahara desert, and is surprised to meet a tiny prince with a sword... but who doesn't know the story of the beloved book by Antoine de Saint-Exupéry? The slim philosophical classic has delighted millions, and the 1974 musical of the book has its own charms. Scored by the estimable team of Alan Jay Lerner and Frederick Loewe and directed by Stanley Donen, this is a tuneful piece of whimsy that's better in moments than it is overall. Two guest appearances energize the second half: Gene Wilder as a lonely fox, and the superbly slinky Bob Fosse as a salacious snake (Fosse choreographed his own number, a welcome touch of Cabaret amidst the whimsy). Some of the book's slight observations don't translate well to the literalness of the screen, but that won't matter to kids, who should be hooked from the very first "Draw me a sheep." --Robert Horton... | |
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| | | The Wizard of Oz | | Posted Saturday, September 02, 2006 9:52:06 PM by BlogJeeves Team | | When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the Yellow Brick Road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and décor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon... | |
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